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What's in my bag?
Camera Bodies: Canon EOS 1D Mark IV, Canon EOS 5D Mark III and Canon G15
EF 500mm f/4
IS II; EF
70-200 f/4 IS; EF 100mm f/2.8 macro; EF 24-105mm f/4 IS; EF 24mm f/1.4; EF 16-35mm f/2.8
Sigma: 70-200mm f/2.8, 24-70mm f/2.8; 12-24mm f/4.5-5.6, 15mm f/2.8 fisheye
Lens Accessories: Canon 1.4 and 2x extenders II; Canon 12mm and 25mm extension tubes
Flashes: 580 EX II; Better Beamer flash extender; Lumiquest and Gary Fong flash softeners
Tripods: Gitzo GT3542LS; Manfrotto 055
Tripod Heads: Really Right Stuff BH-55L and BH-30 ball heads, Jobu and Wimberly gimbal heads
Memory: SanDisk Extreme cards; various brands of portable hard-drives
Filters: LB Warming
Polarizers, LB ColorCombo Polarizer, Gold n Blue Polarizer, Vari-N-Duo,
ND grads (both 4x6" size and standard P-sizes), LB polarizer custom for Canon long-lens drop in unit
Camera Bags: Gura Gear (Bataflae) and F-Stop (Tilopa and Loka)
Special thanks to the following companies for their support:
It's Not about the Gear!
For many years when I was getting started in nature photography I was hungry for better gear. All I could think about was getting better lenses, the latest pro bodies and every accessory available. Somehow I had gotten the idea that having more gear would make me a better photographer - maybe even a pro. But top notch gear is expensive and I simply couldn't afford it. So to 'get by' I bought used gear that was always a generation or two behind. With that old gear, and a heck of a lot of hard work and determination, I built a collection of tens of thousands of nature images and established my stock photography business. Many of my best images were made before I had a camera that could autofocus very well.
These days I'm fortunate to make enough money at photography to afford - and justify - some cutting-edge camera equipment. I shoot with high end digital bodies and even own a couple of brand new lenses. Building on the knowledge and technique I developed from almost 20 years of intense shooting, I'm using the new gear to capture photos I never thought were possible before.
But here's the bottom line: gear is only one small part of the equation for success in nature photography. While most photographers are arguing over Canon versus Nikon or who's got more megapixels, it's the guy or gal out in the field who spends more time shooting, improving their technique and learning about nature who comes out ahead - always. My approach has been to invest my time and money on photographing, using my existing gear to its fullest potential. The choice between a new 'camera toy' or a photo trip is an easy one for me.
I switched to the Canon EOS system about 15 years ago because it was the best match for the kind of photography that I do. Canon is a large company and they invest heavily in research and development, so it's no surprise that they lead the industry in many aspects. As an example, they pioneered Image Stabilized (IS) lenses which are invaluable for wildlife and bird photographers shooting in low light at long focal lengths. Canon's latest generation of digital bodies produce remarkable files that are well-suited for professional work. And Canon also has all the little accessories that a nature photographer commonly needs, such as autofocus extension tubes. Overall, I feel that the Canon EOS system offers the fewest limitations and the best potential for growth that parallels my needs as a nature photographer.
To those people out there shooting another brand, who are tempted to email me and tell me how great their system is compared to Canon (it happens all the time): don't bother, I believe you. I think any brand of gear in the hands of a good photographer can be used to make great photos. And besides, at the end of the day, all the debates about gear end at the photos.
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